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中国画,尤其是写意山水画,是画家借助对山川自然的描绘来传达自己的主观精神的载体,讲究主观与客观,主体与客体的融会贯通和物我两忘。在这里,主观情感物象化,客观事物情感化,所创造的艺术形象和客观事物有所不同,这就是写意山水画所强调的精神性。以画家的精神来协调客体与主体之间的关系,三者相辅相成,各尽其责,各得其所。山水画创作,要始终遵循着自然物象的生长、发展规律和表现自我思想情感、精神意趣为宗旨的创作原则,这就是中国画“写意”的原
Chinese painting, especially freehand landscape painting, is the carrier of the painter’s own subjective spirit through the portrayal of the nature of the mountains and rivers. It emphasizes both the subjective and the objective, the harmony between the subject and the object, and the two things I forget. Here, the subjective feelings of the materialized, objective things emotional, created by the art image and objective things are different, this is the spiritual nature of the landscape painting emphasis. The painter’s spirit to coordinate the relationship between the object and the subject, the three complement each other, each doing their duty, its own place. The creation of landscape painting should always follow the creative principle of the growth and development of natural objects and the expression of self-thoughts, emotions and spiritual interests, which is the original of Chinese painting “freehand brushwork”