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引言:清末民初“美术”概念的引进在晚清中国,“美术”是个源自日本的概念。“美术”概念的引进对于近代中国的特殊社会意义,正如陈振濂所指出:近代中国绘画、“美术”的变迁,离不开它的大文化背景,离不开诸如中国在清末派留学生赴日本,中国在近代建构新的文学史、艺术史、学术史,中国在近代推行新式教育等等更宏观的内容。仅仅一介美术家的视野,是完成不了美术引进中国并进而改造中国近现代美术(绘画)发展之轨迹的。[1]
Introduction: Introduction of “Art” Concept in Late Qing Dynasty and Early Republic of China In the late Qing Dynasty China, “art” was a concept derived from Japan. The introduction of the concept of “art” to the special social significance of modern China, as pointed out by Chen Zhen-tao, can not be separated from the great cultural background of modern Chinese painting and “art” Foreign students go to Japan and China to construct more macroeconomic contents such as new literary history, art history, academic history, and modern Chinese education in modern times. The vision of a mere artist can not accomplish the track of the introduction of art into China and thus the development of modern and contemporary Chinese art (painting). [1]