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本文将从古筝定弦的角度,对2010年文化部举办的“全国第十五届音乐作品(民乐)评奖”中的《醉莲赋》《祀》《汝色》三部获奖筝乐作品进行比较分析,试图揭示三部当代新锐筝乐作品的定弦特征及审美取向,同时也可以使人们对当代筝乐作品创作风格、思维及发展方向获得进一步的认识和思考。
This article will be from the perspective of the Zhengzheng Dingzheng, the 2010 Ministry of Culture held the “National 15th Music Works (folk music) Award” in the “drunk lotus Fu” “worship” “Ru color” three winning entries And tries to reveal the fixed-string features and aesthetic orientation of the three contemporary new-jing zheng music works. At the same time, people can get more cognition and reflection on the writing style, thinking and development direction of contemporary Zheng music works.