论文部分内容阅读
少数民族文化是我国文化的重要组成部分,发展少数民族题材电影是繁荣我国电影事业的内在需要。伴随着中国经济的日益腾飞,信仰缺失和猎奇心态使消费者对少数民族题材电影充满观影热情。所以将民族宗教中的神话传说、风土人情和宗教仪式运用到电影中也是迎合受众的观影需求。但受政治导向和消费者心理的约束,民族题材电影不仅要原汁原味地呈现少数民族宗教文化,更应该从传统价值转向普世价值。这是少数民族题材电影发展的内在规律,同时也是传播少数民族文化的必然趋势。
Minority culture is an important part of our culture. Developing minority-themed films is the intrinsic need to prosper the movie industry in our country. With the gradual take-off of China’s economy, lack of faith and curiosity make consumers full of enthusiasm for the minority-themed movies. Therefore, applying the myths, legends, customs and religious rituals in the national religion to the movies also caters to the needs of audiences. However, subject to political orientation and consumer psychology, ethnic theme films should not only present original religious culture of ethnic minorities but should also shift from traditional values to universal values. This is the inherent law governing the development of minority-themed movies and an inevitable trend of dissemination of ethnic cultures.