中国传统绘画本质特征偏于精神性,本文试挖掘中国传统绘画精神性形成的原因,结合现代人的生存状态和审美观念,进行提炼、整合、发展,对民族绘画的本质特征进行现代化拓展,使中国画的精神性具有现实意义,以人为本,为人所用。 The essence of traditional Chinese painting is biased towards spirituality. This paper tries to explore the reasons for the formation of the spirituality of Chinese traditional painting, and combines the modern living conditions and aesthetic concepts to refine, integrate and develop modern Chinese painting. The spirituality of Chinese painting is of practical significance, people-oriented and people-oriented.