论文部分内容阅读
徐珙爲唐代大書法家徐浩的侄子,以隸書見長。因書法界歷來對唐隸多有微詞,故于徐珙其人其書自然關注甚少。在現存的唐代隸書碑刻中,徐珙的作品數量較多、書寫年代跨度長、書寫水準高、保存完好,筆者從徐珙身世考辯入手,通過其銘石書法作品本體,剖析其隸書藝術成就,得出兩點結論:第一,徐珙是唐代被埋没的一位功力深厚、富有創新精神的隸書大家,其仕途的低落、銘石書法活動的長期中斷是導致其書名被掩的直接原因;第二,由于書法界長期以來對唐代隸書的偏見,以至于對新出土的徐珙銘石書法作品視而不見,研究者無幾。筆者以爲,在書法創作多元化發展的今天,應重新審視唐隸,取其正大氣象,去其楷法,融以篆籀,必能開拓當代隸書創作新格局。
Xu Xun is the nephew of Xu Hao, a great book of calligraphers in the Tang Dynasty. Due to the calligrapher Tang Dynasty has always been more insignificant, so Xu Xun his book of natural little attention. In the existing official scriptures in the Tang Dynasty, Xu 珙 has a large number of works, long period of writing, high standard of writing and well-preserved. The author starts with Xu Xuan’s life experience and analyzes the art of his official script Achievements, come to two conclusions: First, Xu Xu was buried in the Tang Dynasty a profound skill, innovative Librarian, his career decline, the long-term interruption of Ming Shi calligraphy activities led to the title cover Direct reason; secondly, due to the prejudice to the official script of the Tang Dynasty in the calligraphy circle for a long time, there are few researchers who turned a blind eye to the newly unearthed calligraphy works of Xu Yongming. The author believes that in the diversified development of calligraphy creation today, we should re-examine the Tang Li, take the right atmosphere, to its Kai-kai, Rong Zhuan seal, will be able to open up a new pattern of contemporary official script.