韩寒的处女作和大多数导演的处女作不一样。但凡一个人刚开始做导演时,他必定是先有满腹的话想说,好不容易找到一个倾泻的出口,因而大多数的处女作总会显得信息量超载、表达欲过剩,激情四溢。而韩寒像是先明确了自己需要做一个电影导演,才开始搜肠刮肚找有什么需要通过电影来表达的内容。这个要做导演的使命感也许更多是来自外界对他的期待,或他对自己的期待,比如说郭敬明做了导演,比如资本正在八方寻找对青少年受众有号召力的新兴力量,比如他想尝试一点写作和赛车之外的工作,都可能是韩寒成为导演的潜在动机。为了当导演而当导演,这是我对韩寒处女作的诛心之论,在我看来,这就是《后会无期》是一部非常空洞的作品 Han Han’s debut and most of the director’s debut is not the same. Whenever a man first started to be a director, he must have said full words first and lastly, to find a pouring exit. As a result, most of the debut shows seem overloaded, overused and passionate. Han Han, for example, made it clear that he needed to be a film director before starting to search for what needs to be expressed in a movie. The director’s sense of mission may be more from the outside world to his expectations, or his expectations of yourself, for example, Guo Jingming director, such as capital is looking for young people emerging power of the audience, such as he thought Trying a bit of writing and working outside the car could be a potential motivation for Han to become a director. In order to be a director and director, this is my heartfelt critique of Han Han’s debut. In my opinion, this is “after the expiration of” is a very empty piece