《骆驼祥子》是上世纪三十年代最为著名的现实主义文学作品,其作者老舍先生是中国现实主义文学的先驱。在小说当中,老舍先生用大量的笔墨来为读者刻画了一个旧社会穷苦人的形象,不仅仅塑造了祥子这一经典的人物形象,还塑造了诸多独具特色的人物形象。为了更好的刻画人物形象,老舍先生在人物的性格、表现人物关系和揭示人物矛盾三个方面都运用了典型艺术手法。这样的一种艺术手法很好地揭露了旧社会人吃人的一种关系,把旧社会的血腥罪行暴露在读者面前。祥子的结局无疑是那个时代逻辑的必然归宿。而祥子这一典型的形象在读者脑海当中挥之不去,这与老舍先生对人物典型化手法的运用有着十分密切的关系。 “Camel Xiangzi” is the most famous realistic literary work of the 1930s. Its author Laoshe is a pioneer of Chinese realistic literature. Among the novels, Lao She used a lot of ink to depict the image of an old poor man in the society. It not only shaped Shoko’s classic character, but also created many unique characters. In order to better depict the character image, Mr. Lao She applied the typical art techniques in three aspects: character, character relationship and revealing contradiction between characters. Such an artistry well exposes the old man’s relationship of cannibalism, exposing the bloody crimes of the old society to the reader. Shoko’s outcome is undoubtedly the inevitable ending of the logic of that era. The typical image of Shoko is lingering in the readers’ minds. This is closely related to the use of character typicalization by Mr. Lao She.