汤晓丹是中国电影百年历程的亲历者与见证人,成就集中于主流电影。汤晓丹的主流电影既有扎实的生活基础,又有饱满的创作激情,而且艺术水准较高。对照汤晓丹回忆录中谈到晚年几部未竟影片的遗憾,更能见出其对中国导演文化身份的自觉,以及对影像民族审美特征的永恒追求。 Tang Xiaodan is the witness and witness of the centenary of Chinese film, focusing on mainstream movies. The mainstream movie of Tang Xiaodan both solid foundation of life, full of creative passion, but also a higher artistic level. Compared with the regret of Tang Xiaodan’s memoir about several unfinished films in his later years, he can better see his awareness of the cultural identity of Chinese directors and the eternal pursuit of the aesthetic characteristics of the imagery.