印象主义的定义在分析印象派风格的和声技法之前,最好先说明一下这个非常难以解释的定义。音乐上的印象主义一般是指这样的音乐作品,即“情调”和“气氛”居主导地位,而曲式、和声和音调居次要地位,它是作曲家在一定的环境、事件和场合中灵感的记录。作曲家的目的是要把这种效果,通过既精致而又纤柔自然音响传给听众。另外一种观点认为:它和描写性音乐及欣赏趣味相关联,从而,意识到自然音响真正价值的结果。争议的焦点是和弦的结构问题,和弦仅是若干音符的组合,还是通过这种组合它已成了一个独立的实体。印象主义者是持后一种观点的,并得到诗人勃朗 Definition of Impressionism Before analyzing the Impressionist harmony technique, it is best to explain this very difficult to interpret definition. Impressionism in music generally refers to the musical works in which “mood” and “atmosphere” occupy the leading position while the form, harmony and tone occupy the secondary position. It is the composer’s position in certain circumstances, events and occasions Inspirational record. The composer aims to convey this effect to the audience through both delicate and soft sound. Another view is that it is associated with descriptive music and enjoyment, and thus, is aware of the true value of natural sound as a result. The focus of the controversy is on the structure of the chords, whether the chords are just a combination of a few notes, or by which combination it has become a separate entity. Impressionists hold the latter view, and get poet Bronte