赵丽娜的作品大致可以分为两类:一类是工笔画,另一类是写意画。我觉得,虽然她的这两类画在表现方式上存在很大的差别,但却具有一个共同的特征,那就是:当她表现自己十分熟悉的生活时,她的作品就显得特别有个性与神采,让人能够感受到一种扑面而来的青年人的生活气息。而当她按现有的模式进行创作时,她的作品就会觉得仅在追求一种单纯的形式美感,这是画家值得进一步探讨的地方。先谈她的工笔画吧。比如那些按美术学院的教学模式画的类似课堂作业的作品——《老人像》、《逝》等,就给人似曾相识的感觉。因为这类作品,我们实在是看得太多了。而作品《都市女青年》则引起了我的极大注意。在这幅作品中,肩披长发、穿着时髦的女青年,翘着二郎腿,正在聚精会神地发短信,左手还点着一根烟。它生动地描绘了在消费时代的背景下,“新新人类”的实际生存状态。另一幅作品《无风的日子》采用象征性手法描绘了两个无所事事、怅然若失的女青年,也给人以丰富的联想。在我看来,这样的作品,不仅在何家英笔下不曾出现过,就是在当代工笔画中也很少见到,因此是很有意义的。我希望赵丽娜在今后的日子里,能够继续围绕“新新人类”的生活创作出一 Zhao Lina’s works can be roughly divided into two categories: one is the style of painting, the other is freehand drawing. In my opinion, although there are great differences in the way in which these two types of paintings are presented, they all share a common characteristic that her work appears to be particularly individualistic when she expresses her very familiar life Brilliant, so that people can feel a blow to the lives of young people. When she works according to the existing mode, her works will find her pursuit of a purely aesthetic form, which is worth further exploring. Let’s talk about her style of painting For example, according to the Academy of Fine Arts teaching mode similar to the classwork works - “like the old man,” “passed away”, gives a sense of deja vu. Because of these works, we really see too much. The work “urban young women” caught my great attention. In this piece, shoulder-length hair, wearing a fashionable young woman, cocked legs, are concentrating on texting, the left also lit a cigarette. It vividly portrays the actual state of life of “new new human being” in the context of the consumer age. Another painting, “Windless Days,” uses symbolic gestures to depict two young, senseless, young women who also give a rich association. It seems to me that such a work is very meaningful not only in the novels of Ho Chia-ying but also in seldom seen in current contemporary strokes. I hope that in the days to come, ZHAO Li-na will be able to continue to create a life around the life of “new new people ”