有唐一代,国力强盛,书道繁荣。唐代将楷书发展到极致,而篆、隶、行、草诸体皆有可观。祝嘉《书学史》云:“唐代楷书,诚不足道,行草尚有可观。”~([1])其论唐楷虽失之偏顿,但论唐代草书尚不失公允。盛唐张旭将草书推向了更加狂逸宏博的艺术境界。在张旭的影响下,中晚唐至五代狂草书家接踵而起,蔚为大观,成为草书发展史上非常重要的一环。然而这些狂草书家大多为僧人,他们凭借着草书技艺,与达官文士广泛交游,获得了很高的名声地位,盛极一时。僧人草书现象 Tang generation, strong national power, book road prosperity. The regular script will be developed to the extreme Tang Dynasty, and Zhuan, Li, line, grass all have impressive. Zhu Jia “Book History” cloud: “The regular script of the Tang Dynasty, insignificant, the line of grass is still considerable. ” ~ ([1]) On the Tang Kai though lost favor, but on the Tang Dynasty cursive yet . Zhang Xu Tang Dynasty will be cursive into a more wild Hongbo art realm. Under the influence of Zhang Xu, the middle and late Tang Dynasty to the Five Dynasties of the mad cursors came one after another, become a great concept, has become a very important part in the cursive history. However, most of these mad cursive writers are monks, who, by virtue of cursive techniques, have extensive contacts with the dignitaries of the Shang dynasty and have gained a very high reputation for the moment. Monk cursive phenomenon