有人看着墙上我的画问道:“你最喜欢表现什么?”他这么一问却问住了我。我以为自己的表现已经在画上,倘若靠说,不是画没有画出来,就是去说不是绘画的东西。我是画家,总是感觉先行的。开始的时候,自己穿过大街、路过树林、看见光照、碰到一张老人的脸、触摸一个带叶的水果,这些有质地的东西引起我的绘画兴趣,似乎绘画开始和结束就在这个“看”的感觉中。日子久了,你终于发现绘画的魅力不仅如此,因为一幅好的艺术作品留在画中的激情可以延续万年并且照亮的是一个深度世界。因此,你画一朵玫瑰花,如果画得毫无生气,它再怎么象征爱情也是朵假花。一朵盛开的花,其盛开就是入画的姿态,不说是朵什么花,就已经面临绘画了。单凭花的姿态,用中国古画论来看:花的横生有临风、承露、带雨、迎曦时各种细微百态。一朵花的取势,包含了气的贯通、花的参差向背、枝叶流畅、布局疏密而不紊乱、合而观之时一气呵成等 Someone looked at my painting on the wall and asked: “What do you like best?” He asked me once in such a question. I think my performance has been drawn on, if by lecturing, not drawing not drawn, is to say that is not something painting. I am a painter, always feeling first. At first, I walked through the main street, passing through the woods, seeing the light, touching the face of an old man and touching a fruit with leaves. The texture of things aroused my interest in painting. It seems that the beginning and the end of the painting are in this “Look ” feeling. As time passes, you finally find the charm of painting more than that, because the passion of a good artwork to stay in the painting can last for thousands of years and illuminate a deep world. Therefore, if you draw a rose, if you paint it lifeless, it is a fake flower symbolizing love. A blossoming flower, which is in full bloom painting gesture, do not say what flower is spent, it has been facing painting. The attitude of using only flowers, with the ancient Chinese painting theory point of view: flowers flourishing, exposed, with rain, Yingxiu various subtle. The trend of a flower, including the gas through, the flowers of the back to the back, foliage smooth, decentralized and not disorderly, when the concept of one and so on