一、裴伯谦其人清晚期至民国间动荡不安,皇室与贵族之家的藏品流散四方,为私人收藏提供了莫大机遇。私人收藏家如雨后春笋般涌现,如庞元济、裴伯谦、叶恭绰、吴湖帆、张大千、张伯驹、王季迁等。近年来有关其中一些藏家的研究陆续面世,而关于裴伯谦书画收藏的研究仅有张自强《裴伯谦及其〈壮陶阁书画录〉》[1]一文,主要侧重于裴氏的身世、经历的介绍,仅在最后一段提 First, Pei Boqian their late Qing Dynasty to the turmoil between the Republic of China, the royal family and the aristocratic family’s Quartet’s diaspora, for the private collection provides a great opportunity. Private collectors have sprung up like Pang Yuanji, Pei Boqian, Ye Gongchuo, Wu Hufan, Zhang Daqian, Zhang Bosu, Wang Jqian and others. In recent years, some of these collectors’ studies have been published one after another, while the study of Pei Boqian’s collection of calligraphies has only been published by Zhang Ziqiang, Pei Boqian and his The Book of Calligraphies and Records of Zhuangtao Pavilion, which mainly focuses on Peij’s life experience and introduction , Only mentioned in the last paragraph