2005年中国内地的双年展狼烟四起,战场遍及北京、广州、成都、南京……各色艺术家都能找到适合自己表演的舞台,几乎每一次开幕都可用上“人群攒动”来形容,宏大的展馆、数目惊人的作品、每况愈盛的人气, 2005年的中国双年展无疑成为年度的文化看点。但这些舞台如何搭建?动辄数百万元的展览资金从哪里来?艺术与商业是否在这场盛宴中找到了最佳契合点? In 2005, the Biennale of the Mainland in China was full of fire and smoke. The battlefields covered Beijing, Guangzhou, Chengdu and Nanjing ... Various artists can find a stage suitable for their performances. Almost every opening can be described as “Crowdsourcing” , The amazing number of works, the more prosperous popularity of the situation, the 2005 China Biennale undoubtedly become the annual cultural Aspect. But how are these stages set up? Where are millions of dollars of exhibition capital coming from? Are art and commerce finding the best fit in this feast?