中国民间造物艺术植根于中国民间世俗生活,从起始的无意识的自发行为演变为后期的审美自觉,都具有民族独特的现实主义特征。中国的先哲和西方的美学家们对于美、美感和艺术都有过系统的讨论。本文将从古希腊美学的角度,对中国民间的传统造物艺术的形式感、功能性以及造物观念进行初步探讨。 Chinese folk creations are rooted in the secular life in China and evolve from the initial unconscious spontaneous behavior to the aesthetic conscious in the later period, all of which have unique national realism features. Chinese philosophers and Western aesthetics have systematically discussed beauty, beauty and art. This article will, from the perspective of ancient Greek aesthetics, conduct a preliminary study of the formal sense, functionality and creation concept of Chinese traditional folk art.