清初百年间书法尚承明代之旧,康熙帝好董其昌书,乾隆帝喜赵子昂书,故两家之体,风靡一时。王铎、傅青主为明末清初有名之书家。其他各家大抵阁帖一系。乾隆末年渐有病帖学迂疏之论调,当时大家中有张得天、刘石庵等,字体新异,梁同书流畅,王文治善作妩媚之字,为人所重。直至嘉庆间,始有邓石如出,以超群之才,刻苦力学,故能突现奇迹,惊动天下。其弟子包世臣复鼓吹之,于是研究北碑之风盛行于时,而帖学旧派则为人所厌弃也。其后复 In the early years of the Qing Dynasty calligraphy still Cheng Ming on behalf of the old, Emperor Kangxi Dong Qichang, Emperor Qianlong Zhao Zi book, so the two bodies, all the rage. Wang Duo, Fu Qing Lord Ming and Qing dynasties famous scholar. Each other probably Pavilion a post. At the time of the essay, Zhang Detian and Liu Shihuan were among the strangers, fonts were new and different, and Liang Tongshu was smooth. Wang Wenzhi was a charming and charming man with a strong emphasis on human resources. Until Jiaqing, beginning with Deng Shiru out to superior talent, hard mechanics, it can emerge miracles, shock the world. His disciples Baochen Chen advocated, so the study of the North monument of the prevalence of wind, while the Tiexue old school is rejected by people too. After the complex