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巴黎,第17区,19世纪下半叶法国印象派绘画大师曾于此济济一堂。两百余年后,本文作者造访此地。旅途前奏以印象派大师的画作开篇:莫奈笔端的蒸汽机车. 维亚尔献给母亲的肖像,修拉的《大碗岛星期天的下午》……对作者而言,第17区传达了巴黎被忽略的真正魅力。旅途的起点是塞纳河心的大碗岛大碗岛是修拉的至爱,作者在岛上追寻着大师的艺术足迹,悉心描述着历史的遗迹和岁月的变迁。离开大碗岛,作者漫游在第17区的街道上,饶有兴致地观看了街头的电影拍摄和沿街画室内画家们的创作。在那儿,画室与店铺相映成趣。旅程的最后一天作者参观了巴黎第9区的浪漫主义时期博物馆。馆内陈列了法国浪漫主义作家乔治·桑的藏品,其情人波兰作曲家肖邦的印记依稀可辨。
Paris, 17th century, the second half of the 19th century French impressionist master of painting had gathered in this. Two hundred years later, the author of this article visited here. The prelude to the journey begins with a masterpiece of Impressionism: the steam locomotive of Monet’s pen end. The portrait of Vial devoted to his mother, Sora’s Sunday afternoon of Big Bowl Island ... For the author, Ignore the real charm. The starting point of the journey is the big bowls in the heart of the Seine. The large bowls in the heart of the Seine River are the favorite of Cyrus. The author pursues the artistic footprints of the masters on the island and painstakingly describes the relics of history and the changes of time. Leaving Big Bowl Island, the author roams the streets in the 17th district, watching with interest the filming of the streets and the painters’ paintings along the street. There, the studio and shop side by side. On the last day of the journey, the author visited the romantic period museum in the 9th arrondissement of Paris. Museum display of the French romantic writer George Sang’s collection, the lover Polish composer Chopin’s imprint faintly discernible.