《法国中尉的女人》是英国后现代主义作家约翰.福尔斯最具代表意义的作品。该小说一经问世就因其在叙事上的突破和创新而备受西方学术界的关注。小说的叙事风格模仿维多利亚现实主义的写作传统,跨越现代主义,最终落根于后现代主义,从而解构了现实主义的叙事方式。本文将从叙事视角、叙述者这两个方面探讨《法国中尉的女人》叙事艺术的创新性。 “French Lieutenant’s Woman” is the most representative work of the British postmodernist John Fowles. Once published, the novel has drawn the attention of western academia for its breakthrough and innovation in narration. The narrative style of the novel imitates the realistic writing tradition of Victorian, crosses the modernism and finally takes root in the postmodernism, thus deconstructing the realistic narrative way. This article will discuss the novelty of the narrative art of The French Lieutenant’s Woman from two perspectives: narrative perspective and narrator.