钢琴以其宽广的音域、优美的音色、丰富的表现力被誉为“乐器之王”。钢琴演奏在西方已有三百多年的历史,进入中国也有一百多年的记载了。岁月的长河,沉积了钢琴演奏的诸多原则与技艺,同时也为其烙上了刻骨的称谓。钢琴演奏需要演奏者有极强的演奏能力,而能力的表现前提便是扎实的基本功。钢琴演奏的基本功是多方面的,其中之一即是基本触键法。本文试图抛砖引玉,与老师及同行们探究钢琴基本触键法的方方面面。不妥之处,望不吝赐教。我们知道钢琴的基本触键法有三种:断奏、连奏和跳奏。《约翰·汤姆森》等很多书中将“跳奏”定名为“断奏”。笔者认为,“跳”和“断”还是有区别的。“跳”有跳跃、活 Piano with its wide range, beautiful tone, rich expressive as “the king of musical instruments.” Piano playing in the West has 300 years of history, there are more than a hundred years into the record of China. Years of river, deposited a lot of piano playing many principles and skills, but also branded with its nickname. Piano performance requires performers have a strong ability to play, and the performance of the premise of ability is a solid basic skills. The basic skills of the piano are many, one of which is the basic touch method. This article attempts to start a discussion with teachers and colleagues to explore all aspects of the piano’s basic touch-pad method. Inappropriate place, hope educated us. We know there are three basic piano touch keys: staccato, legato and jump. “John Thompson” and many other books will be “jump” “staccato ”. The author believes that “jump ” and “broken ” is still different. “Jump ” There are jumping, live