《黄牡丹》诗是徐增诗歌创作的典范,总计一百余首。但部分今已散佚,收集整理徐增《九诰堂集》,笔者在诗之七、八、九三卷中发现《黄牡丹》诗六十首。透过这六十首《黄牡丹》诗,徐增既写出黄牡丹花色之正、花香之清、风姿气质之最,又对黄牡丹之美进行了升华,把朋友之思、身世之感、家国之念融汇其中,使得人花互映,构成黄牡丹吟咏的另一种范式。 “Huang Peony” poem is a model of Xu Zeng’s poetry creation, a total of more than 100 first. However, some of them have now been lost and collected and collected by Xu Zeng. The author found sixty poems about Huang Peony in the seven, eight and ninety volumes of the poem. Through these sixty “Huang Peony” poems, Xu Zeng not only wrote the best of Huang Pei-dan’s flower color, the clear floral and graceful temperament, but also sublimated the beauty of Huang Pei-dan, The concept of a homeland blend of them, making people spend each other, constitute another paradise for chanting peony.