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张复兴:山水画里讲究特多,古人的画论森严,延续千年,今天依然。萦绕在我们的意识深处,给了我们学习的规范,评判的标准,思维的方式,似乎界定了山水画从古到今的发展脉络,预示了这个古老画种的发展方向。山水画和京剧一样,是植根于中华文化基础之上的,有华夏文化鲜明识别度的高度程式化的艺术,京剧历史上的不断变革、不断创新,已然不是当初的京剧,这个过程中产生了诸多承接传统,又有所拓展的流派和大师,尽管这样,京剧依然有衰落
Zhang Fuxing: landscape paintings stress Trinidad and Tob’s more, the ancients of the very strict, prolonged millennium, today is still. Lying in the depths of our consciousness, giving us the norms of learning, the criteria for judging, and the way of thinking seem to define the development vein of landscape painting from ancient to the present, which indicates the development direction of this ancient painting. Like Peking Opera, landscape painting is a highly stylized art rooted in the foundation of Chinese culture, with a distinctive degree of recognition of Huaxia culture. The continuous transformation and innovation in the history of Peking Opera is no longer the original Peking Opera, Many undertake genre and master of the traditional, but also expanded, despite this, Peking Opera still decline