论文部分内容阅读
剑舞作为代表性和训练性兼具的道具服饰舞蹈形式,其发展建设应当承载起文化性、风格性、民族性课程建设的重任,但当下剑舞的教学与表演实践中往往过度注重功能性训练而忽视了性格化表演的训练,性格化组合训练的幼弱不足必将导致剑舞风格性的残缺模糊,丧失剑舞本身厚载的中华文化底蕴与典型文化性格,因此关于如何推进剑舞表现力的议题迫在眉睫。而男子剑舞的刚武潇洒区别于女子剑舞的柔美端庄,在表现特征上自然有所差异,
As a representative and training props costume dance form, the development and construction of sword dance should bear the heavy responsibility of the construction of culture, style and nationality course. However, the current sword dance teaching and performance practice tend to overly focus on the functionality Training and neglect of the performance of performance training, the weak combination of personalized training will inevitably lead to the lack of vague style of sword dance, the loss of sword dance itself thick Chinese culture and typical cultural character, so on how to promote the sword dance Expressive issues are imminent. The men’s Wu Jian Wu sword dancing is different from the soft and dignified sword dance, the performance characteristics of natural differences,