米哈依尔·罗姆的每一部新的电影作品,总是带有他那炽烈而热情的性格的痕迹,这种性格使得他对艺术中和社会生活中那些最迫切的问题极为敏感。从这方面来说,这位艺术家大概只有一次违反了自己的心愿。在影片生产大量缩减的时期,他在选取主题上认了步,于是就向军事传记电影缴出了贡稅。必须公正地指出,他是以足值的货币来支付这笔贡税的。但这笔竟不是自愿的捐赠,而是对“纳贡者”说来不得已的支付。然而现在,罗姆又摄制了一部新的影片,这部影片是由他自由选择主题,同电影剧作家E·格布里罗维奇以及摄影师Б·沃尔切克合作摄制的。 (这是经受过考验的合作。)这部影片中是什么东西迷住了观众呢?是那崇高的思想吗?是主题的重大意义吗?是摄制工作上的高度质量吗? Every new film by Mikhail Rohm always carries traces of his blazing and passionate personality that make him extremely sensitive to the most pressing problems in the art and in society. In this respect, the artist violated his wish, perhaps only once. In a time of drastic curtailment of film production, he took a step on the subject of the election and paid tribute to military biographical cinema. It must be fair to say that he paid the tax in full value. But this is actually not a voluntary donation, but a “pay tribute who” last resort payment. Now, however, Roma has produced a new film, which he produced with his freely chosen theme in collaboration with filmmaker E Gebreiroovich and photographer Б Walcock. (This is a proven collaboration.) What fascinates the audience in this film? Is that lofty idea? Is the significance of the theme? Is it a high quality filming?