一、问题提出因为承担声乐项目研究的需要,故常爬梳、洗剔于一些关于歌剧创作与表演的资料文献,“胡邱‘笔谈’”便位列其中。所谓“胡邱‘笔谈’”是敝人对作曲家胡士平、剧作家邱玉璞以“中国民族歌剧”为主题的三篇探讨文论的简称,谓之“笔谈”乃感佩于二位歌剧前辈严谨的学风、谦敬的姿态、探求的精神和拳拳歌剧之心。三篇文论分别是胡 First, the issue put forward because of the need to undertake vocal project research, so often combing, washing and ticking on some of the literature on the creation and performance of opera literature, “Hu Qiu” pen “”. The so-called “Hu Qiu ’s pen calligraphy ” is my only for the composer Hu Shuping, dramatist Qiu Yupu “Chinese national opera ” as the theme of the three short articles on the discussion of literary theory, Avant-garde opera rigorous style of study, modest gesture, the spirit of exploration and the heart of boxing opera. Three literary theories are Hu