“感时忧国”所生发出的中国“现代性”主题成为顾氏《文学史》纵横捭阖的叙事核心。而作者本人也在努力探索一条超越文学的文学史书写之路。用他自己的话来说,就是“借文学这个模型去写一部20世纪思想史”。 The theme of China ’s “Modernity ” issued by “Feeling the Sad Country” became the core of the narration of Gu’s “History of Literature”. The author himself is also trying to explore a literary history beyond the writing of the road. In his own words, it is “borrowing the model of literature to write a history of 20th century ideas.”