“杨柳岸晓风残月”这一名句妙在何处，历来众说纷纭，然而我以为都没有切中要意。领会这一妙句之“眼”在哪里？在“多情自古伤离别”的“伤”字上，在“酒醒”之后的“愁更愁”上，一句话，在于借物寄情的贴切，在于烘托渲染手法的妙用。为了把别后之愁更甚于离别之时的情形 “Where the willows on the banks of the willow winds,” this wonderful sentence is everywhere. There have always been many opinions, but I don’t think they have any good intentions. What is the “eye” that comprehends this wonderful sentence? In the word “sentimentality” of “sentimental separation from ancient times,” the word “being more ambiguous” after “wake up” is, in a word, an appropriate excuse for borrowing things, and lies in the magical use of rendering techniques. In order to make other things worse than to leave