先锋文学是中国文坛在八十年代最值得注意的现象之一,在文坛一度的沉默之后,一个浪潮涌了上来,催生了许多有才华的作家,譬如余华,譬如残雪。在骚动之后,余华,转向一种平实,一种冷峻而不冷漠的叙述,回归温情的现实叙述,而残雪继续沉浸在臆想的世界中。众所周知,“梦魇”就是指在梦中遇到可怕的事物,而残雪在小说里把“梦魇”反向利用,通过一个个光怪陆离而可怕的梦,让书中的主人公发生改变,同时用“梦魇”这样诡异的方式也激发了读者去思考人的存在。可以说,残雪的小说是独树一帜的,她的梦魇叙事手法向读者构筑了一个扭曲而难以理解的世界,在她的小说里你看不到传统的亲情、友情和爱情,只有人与人之间难以消除和不断再生的猜疑。 Avant-garde literature is one of the most noteworthy phenomena in the Chinese literary world in the 1980s. After a period of silence in the literary world, a wave of surges aroused and many talented writers, such as Yu Hua, such as Can Xue, emerged. After the unrest, Yu Hua turned to a plain, a cold and indifferent narrative, returning to a realistic narrative of tenderness, while Can Xue continued to immerse in the imaginary world. As we all know, “Nightmare ” refers to the encounter in the dream terrible things, and Can Xue in the novel to “nightmare ” reverse use, through a terrifying dreams, so that the hero of the book changes, At the same time with “Nightmare ” This strange way also inspired the reader to think about the existence of people. Can be said that Can Xue’s novel is unique, her nightmare narrative approach to the reader to create a distorted and difficult to understand the world, in her novels you can not see the traditional family, friendship and love, only between people Difficult to eliminate and constantly suspense of regeneration.