每当金秋时节,举办《教师习作民》在鲁迅美术学院已形成为制度。今年的展出规模之大,质量之高使人难以忘怀。在展出的二百余幅作品中,有的是为了教学而制作的范画,也有几经推敲而完成的创作。中国画、油画、版画、书法、摄影、水粉画、水彩画及各种工艺设计,布满整个展览大厅,琳琅满目,令人应接不暇。尤为可喜的是一批青年教师正在崛起,他们的作品,以新的观念,新的意识,新的追求,新的探索,使人耳目一新。这批青年教师是在得天独厚的艺术气氛和历史条件下成长起来的,现已成为教学和创作上一支最为活跃的生力军。在法国超级写实派画家伊维尔二次讲学之后,我院的油画事业有了长足发展。他们把脚跟扎在东北生活这块沃土上,努力形成的新语言,新手法注入写实画风中去开拓一个新的画境,新的意味、代表新时代的高水平作品大量问世。如韦尔申的《北地》,胡建成的《肖像》。郑波的《放羊》反映的是中国北方农村牧羊情景。作品看 Whenever the autumn season, holding “teacher learning” in the Lu Xun Academy of Fine Arts has been formed as a system. This year’s large-scale exhibition, high quality unforgettable. Among the more than 200 works on display, some are fan paintings made for teaching, and some are elaborately created. Chinese painting, oil painting, printmaking, calligraphy, photography, gouache, watercolors and various craft designs fill the entire exhibition hall, and it is overwhelmed. What is particularly gratifying is that a group of young teachers are emerging. Their works are refreshing with new ideas, new ideas, new pursuits and new explorations. These young teachers, who grew up in a unique artistic atmosphere and historical conditions, have now become one of the most active new force in teaching and creation. After French lecturer Iver, a super realisticist, gave lectures in the second time, the hospital’s oil painting business has made great strides. They put their heels on the fertile soil of northeastern life, and strive to form a new language and new techniques into the realistic style to open up a new picture and new meaning, representing a large number of high-level works emerging in the new era. Such as Verlson’s “North”, Hu Jiancheng’s “portrait.” Zheng Bo’s “Sheep” reflects the rural shepherding scene in northern China. Works look