论文部分内容阅读
传统水墨山水在经历千年的发展后,已经形成一套稳定的造型、笔墨程式法则。与西画的追求表象的模式不同的是,它虽然与自然保持一种形象的上的联系,但或多或少已经转变为某种主观意向所不确定的造型结构和形象符号。山水画写生是通过培养我们观察表现生活的能力。一方面加强造型能力、处理对象能力、构图能力。也是对自然真实物像的提炼、概括与表现能力。同时还要注意生活与情感的生命气息和时代特点,写生作品应有笔、有法、有情、有神。才能做到“古不乖时、今不同弊”
After going through the millennium’s development, the traditional ink and wash landscape has formed a set of stable styling and pen and ink rules. Different from the Western model of pursuit of representation, although it maintains an image-like connection with nature, it has more or less transformed into some unstructured structure and image symbol of subjective intention. Landscape painting sketching is through the cultivation of our ability to observe the performance of life. On the one hand to strengthen the modeling ability to handle the object ability, composition ability. It is also the refining, summarizing and expressing ability of natural real objects. At the same time, we should also pay attention to the life breath of life and emotion and the characteristics of the times. The sketches should have a pen, law, affection and god. To be able to do “ancient obnoxious, now different disadvantages ”