《视唱练耳》是音乐专业最重要的必修课和基础课程之一。然而它又是一门枯燥的课程,多年来一直采用课堂教学与训练的方式,故在形式上较为死板。由于内容较为繁琐,学生们往往对它重视不够且理解不深。因此,要想使《视唱练耳》课程取得更好的成效,必须采用理论与实践相结合的形式。本人通过多年的教学经验及分析研究,总结出一套教学方法,即将课堂教学与舞台实践融为一体,将《视唱练耳》 “Solfeggio” is one of the most important compulsory and basic courses in music. However, it is also a boring course. For many years, it has adopted the methods of classroom teaching and training, so it is more rigid in form. As the content is more complicated, students tend to pay insufficient attention to it and understand not deep. Therefore, in order to make “solfeggio” course to achieve better results, we must use a combination of theory and practice. Through years of teaching experience and analysis, I summed up a set of teaching methods, that is, classroom teaching and stage integration into one, the “solfeggio”