文化转型带来了音乐批评的“叙事危机” ,但文化转型时期的“对话主义”也为音乐批评的重建带来契机。中国新音乐批评值得反思 ,更需要重建。中国新音乐批评应是一种建立在音乐分析基础上的音乐批评 ,进而是一种具有“话语分析”特征的文化批评 ,最终成为一种关注人的生存状态的实践活动 Cultural transformation brought the “narrative crisis” of music criticism, but “dialogueism” during the period of cultural transition brought opportunities for the reconstruction of musical criticism. The criticism of new Chinese music deserves reflection and needs reconstruction. Chinese new music criticism should be a kind of musical criticism based on the analysis of music, and then a cultural criticism with the characteristics of “discourse analysis”, which eventually becomes a practical activity that focuses on the living conditions of human beings