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作品点评马建宁结缘书法二十多年,临池不辍,勤于学习。对各类书法的多种经典碑帖均有涉及。曹全之秀逸,张迁之朴拙,礼器之瘦劲,石门之放达,西狭之宽厚,汉简之随性,秦简之高古,都让他迷醉其中。他通过临帖与传统经典对话交流,感叹古人对书法追求的至真至善,在不断书写中寻找属于自己的精神家园。书法是需要靠时间去考验的艺术,写字其实是写自己对人生、情感的感悟,马建宁通过不断的学习求教,逐渐形成自己书写的风格。他的书法作品用笔沉稳而不失轻灵,笔底犹如行云流水,呈现出古与今的交融,意
Ma Jianning knot calligraphy for more than 20 years, Pro-Chi stop, diligent in learning. A variety of calligraphy on all kinds of classic rubbings are involved. Cao Quan’s Hideyoshi, Zhang Qizhi’s simple cousin, the etiquette of the lean, Shihmen’s up to the West narrow generous, Han Jane of the casual, Qin Jane of the ancient, let him intoxicated one. Through dialogue and traditional dialogues, he laments the true pursuit of the ancients for the calligraphy, and constantly searches for his own spiritual home. Calligraphy is an art that needs time to test. Writing actually means writing about your own feelings of life and emotions. Ma Jianning gradually forms his style of writing through continuous study and education. His calligraphic works with a steady and yet light-hearted pen, writing is like flowing, showing the blending of ancient and modern, meaning