20世纪的歌剧舞台是歌剧表演艺术史上最为璀璨炫目的一幕,且不说自卡鲁索、吉利、莫纳科、帕瓦罗蒂以降的意大利传统美声学派的男高音们令人血脉贲张的竞技表演,向来是为了争夺呼风唤雨的歌剧院头牌的那些世界顶尖女高音们——诸如苔芭尔迪、卡拉斯、萨瑟兰、格鲁贝洛娃等人之间针尖麦芒的扣人心魄的较量,就足以让人屏息。时光荏苒,白驹过隙,在这个传奇日渐凋零的时代,就愈发让人怀想起那个意气风扬的歌剧舞台“角斗士”年代和那些难忘的美声优伶, The 20th century opera stage is one of the most dazzling scenes in the history of opera performance art, not to mention the traditional Italian acoustics from Caruso, Geely, Monaco, Pavarotti Athletics has always been to compete for the supremacy of the world’s top soprano, such as Hatfield, Callas, Sutherland, and Grubelova, among others. Bouts, enough to make people breath. Time flies, fleeting, in the era of this legendary dying, it is increasingly reminiscent of that ambitious opera stage “Gladiator” and those memorable beauty actor,