作为一名土生土长的新疆人,笔者自幼受到新疆本土浓郁文化的熏陶。在成为一名接受了现代美学教育的雕塑工作者之后,笔者在长期的艺术创作实践中一直以如何利用丰富的新疆文化资源用当代的艺术语言加以表达,来作为苦苦追求和探索的方向。但在一如既往的创作实践中,往往因达不到自己的理想目标而深感苦恼。究其原因,笔者发现并不是雕塑制作水平的高低所导致,而是未对本土文化作深度的阐释、剖析、挖掘、再现,尤其是对民间艺术元素的提炼与重组没有自身的独 As a native of Xinjiang, I was influenced by the local rich culture of Xinjiang. After becoming a sculptor who has accepted modern aesthetics education, the author has been using the rich Xinjiang cultural resources in the long-term practice of artistic creation to express it in the contemporary artistic language as the direction of hard pursuit and exploration. However, in her creative practice as usual, I often feel distressed because I can not reach my ideal goal. The reason for this is that the author noticed that it was not caused by the level of sculpture but did not explain, analyze, excavate and reproduce the local culture in depth, especially the refining and reorganization of folk art elements did not have their own independence