这些日子,杨少斌正在为9月份的新展览《后视盲区》紧锣密鼓的筹备着,从容且不迫。阶段性的,需要一些养料;阶段性的,需要一些突破。谈话中我们能感觉到,现在杨少斌又到了另外一个阶段,已经不同于去年9月份提到米兰当代艺术中心的展览《皮——皮间》,所流露出的对于拳击和血肉的热情状态。此时,他对于暴力本身谈得越来越少,确切地说,是从对个人生存境地的关注深入到了对社会存在层面的人文注视。 These days, Yang Shaobin is preparing for the new exhibition “Backstage Blind Spot” in September, calmly and involuntarily. Phased, need some nourishment; Phased, need some breakthrough. In our conversation, we can feel that now that Yang Shaobin has reached another stage, it is different from the passion for boxing and flesh and blood revealed by the exhibition “Leather-Skin Room” mentioned at the Milan Center for Contemporary Art in September last year. At this moment, he talked less and less about the violence itself. Specifically, he focused his attention on the existence of the individual to the humanistic focus on the social existence.