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本文分别从思维方式,价值形态,话语特征等层面论述《新青年》的新文化元典精神。文章认为:中西古今二元对立的思维方式,科学精神,启蒙思想,人的发现的价值形态,开放语态以及矫枉过正策略的话语特征,构成《新青年》作为新文化元典的基本精神。文章进而分析了新文化元典精神对五四文学现代审美方式的影响。文章最后强调:《新青年》不是单一封闭式的、静态书斋型的纯学术理论,因此,当今学界不能简单地以某一后世学理概念和学术体式的范畴理路去“匡正”或“反思”,甚至“解构”《新青年》作为新文化元典的存在意义。
This essay elaborates the spirit of the new culture metaphor of “new youth” from the aspects of thinking mode, value mode and discourse characteristic. The article argues that the thinking mode, scientific spirit, enlightenment thought, the value form of human discovery, the open voice and the strategy of overcorrecting words and phrases in ancient and modern China and the West constitute the basic spirit of “new youth” as the new cultural parable. The article then analyzes the impact of the new cultural parable spirit on the modern aesthetic ways of the May 4th literature. Finally, the article emphasizes that “New Youth” is not a purely closed and static academic theory. Therefore, in today’s academic world, it is impossible to “rectify” or “reflect” the logic of a later theoretical concept and academic system. Even “deconstruct” “new youth” as the new cultural parable.