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在高丽史上,有两个同音乐相关的重大事件,一是睿宗时求得宋代的大晟新乐和教坊乐,二是恭愍王时同明朝的音乐交往。后者是在北元、明朝、高丽三方鼎立的新格局中展开的,其目的是通过制礼作乐来建立独立强国。高丽恭愍王的方针迎合了明太祖推广中华礼制,与普天之下共享和乐之治的理想,于是缔造了明丽关系史上的蜜月期。尽管这个时期很短暂,只有1368到1373五年,但它表明:中华礼乐曾经被赋予十分丰富的意义——代表儒家文化,代表伦理和社会秩序,代表王权,也代表当时最高的文明。历史上幅员广大的汉文化圈,其实是以礼乐为其核心的。
In the history of Goryeo, there are two major events related to music: the first is the acquisition of Dasheng’s New Music and Jiaofang by the Song Dynasty, and the second is the music exchange with the Ming Dynasty when the King met the king. The latter was launched in the new pattern of tripartite confrontation between the Yuan Dynasty, the Ming Dynasty and the Republic of Korea. Its purpose was to establish an independent powerful nation through courtesy and music. The principle of Kung King of Kung Lai catered to the Ming Taizu’s ideal of promoting Chinese ceremonies, sharing and enjoying music under all the world, and thus created the honeymoon period in Mingli’s relations with the history. Although this period was brief, only 1368 to 1373 five years, it showed that Chinese rituals were once given a wealth of meanings - representing Confucianism, representing ethics and social order, representing royal power, and representing the then highest civilization. In history, the vast cultural circle of Han is actually based on ritual and music.