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旅行书写是美国现代诗人伊丽莎白·毕肖普诗歌创作的重要组成部分。毕肖普的巴西诗歌是她对旅行之所的自然与地理空间文本实施经验阅读和诗性阐释的结果,其中潜隐着她对殖民文化之动态性形成的审视和对侵入文化之弥散性衰朽的反思。本文将在文化人类学的视域内,以后结构主义批评途径进入毕肖普旅行诗歌的内部,通过对作品的纹理肌质和文化语境的双重观照,探明其空间诗学的构成方式及意识形态的生产过程。
Travel writing is an important part of the poetry writing by American modern poet Elizabeth Bishop. Bishop’s Brazilian poetry is the result of her experience reading and poetic interpretation of the natural and geospatial texts of travel, in which she looms in her examination of the dynamic formation of colonial culture and the decaying diffuseness of invaded culture Reflection. In the view of cultural anthropology, the later criticisms of structuralism enter into the poetry of Bioshopu’s traveling poetry. Through the double contemplation of the textural texture and the cultural context of the work, this article explores the ways and ideologies of his spatial poetics The production process.