少数民族作家的汉语写作是汉语新文学的重要组成部分,它以其独特的民族文化属性和精神气质构成了汉语新文学的别一种向度。回族作家张承志的汉语写作体现了作者“冲出方块字”的民族意识,他在表达对象、语言系统、价值立场等方面的民族性取向,使他的创作无论在“汉语”文学界还是在少数民族文学界都显得个性独异。他不但为汉语新文学打开了一个长期封闭的异质文化空间,丰富了创作的资源,而且还以“非汉语”的母语意识创造了新的文学审美维度。 Chinese writing by ethnic minority writers is an important part of Chinese new literature. With its unique national cultural attributes and spiritual qualities, ethnic minority writers constitute a different dimension of Chinese new literature. The Chinese writing of the Hui writer Zhang Chengzhi embodies the national consciousness of the author “Out of the Box”, and his national orientation in expressing objects, linguistic system, value position and other aspects makes his creation both in “Chinese” literature The world is still unique in ethnic minority literary circles. He not only opened up a long-term closed heterogeneous cultural space for Chinese new literature, enriched the creative resources, but also created a new literary aesthetic dimension with his “non-Chinese” mother tongue awareness.