几百年来,观赏性一直是戏曲赖以生存的最重要因素。观众走进剧场主要是看戏听曲,抱着娱乐心态而来,不是来听报告、受教育的。因此,好看、好听、好玩始终是戏曲的主旨。上世纪八、九十年代,许多政治色彩浓、功利性强、毫无情趣的说教戏一哄而上,将戏曲拖入怪圈,领导专家叫好的戏观众不看,观众爱看的戏领导专家不看。进入新世纪后,文化艺术的主管部门将观赏性提到艺术性、思想性之前,完全符合戏曲这个大众艺术的发展规律。观赏性所含元素甚多,“情趣”二字 For centuries, ornamentalism has always been the most important factor for the drama to survive. Audience into the theater is mainly watching music, with entertainment attitude, not to listen to the report, educated. Therefore, good-looking, nice, fun is always the theme of opera. In the 1980s and 1990s, many politically rich, highly utilitarian and purposeless teaching and learning groups rushed into action and dragged the opera into a vicious circle, leading the audience to applaud the spectators and the audience leaders dont see. After entering the new century, the department in charge of culture and the arts fully conforms to the law of development of the mass art of opera before it refers to the artistic and ideological aspects of ornamental. Ornamental contains many elements, “fun ” word