十多年前,我就“论抽象与抽象绘画”这个论题写了几千字,但没有写完;而心存这个问题则远自60年代。现在重新写过,比较有系统地表达我长期思考的所得。 我们自卑已久。大概很少有人相信,中国艺术家中竟有人想尝试提出关于这个论题完全不同于时下习见的论点;也不大有人相信中国艺术家可以怀疑西方现代主义中的“抽象画”可以对它的真相、它的艺术性质、内蕴与价值提出批判性的质疑。 20世纪之初开始酝酿,二次大战后蓬勃发展的“抽象”艺术在绘画界激起巨大的浪潮。在战火中崛起的美 More than a decade ago, I wrote thousands of words on the subject of abstract and abstract painting, but did not finish it; Now I’ve written it again and I have systematically expressed my long-term thinking. We have a long history of inferiority. Few people believe that there are people in China who want to try to come up with an argument that this topic is totally different from what they are accustomed to studying now. Nor does anyone believe that Chinese artists can doubt that the “abstract painting” in Western modernism can have its truth about it. The nature of the art, intrinsic value and put forward critical questions. The beginning of the 20th century was brewing. The “abstract” art flourished after the Second World War sparked a huge wave in the painting circle. The beauty of the rise in the war