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作为美国本土神话的核心形象,恶作剧者质疑刻板的身份界定,挑战已有的文化模式,强大的自由越界能力以及自身的文化边缘身份使得他具有较强的颠覆性。在路易斯·厄德里克的文本中,恶作剧者成功地推翻了白人文化的原型,利用自身的流动性身份和变形的能力,反抗白人世界,在一个新的神话体系中构建自己的文化空间。路易斯·厄德里克对传统的恶作剧者进行变革,使其成为美国本土文学和本土身份中的一个新的转折,赋予古老的本土神话以现代性,使恶作剧者成为新时期美国本土作品中个人和文化生存的关键人物。
As the core image of the American native myth, pranksters challenge him to be more subversive by questioning the stereotyped identity, challenging the existing cultural patterns, having a strong free cross-border ability and his own cultural edge identity. In Luis Erdrich’s text, the prank successfully succeeded in overthrowing the prototype of the white culture, using its own liquidity identity and the ability to transform, rebel against the white world and build its own cultural space in a new mythological system. Luis Erdrich transformed traditional pranksters into a new turning point in American native literature and indigenous identity, giving the ancient native myths a modernity that made mischief the individual and The key to cultural survival.