论文部分内容阅读
返还本民族文化之根的书写,是“新时期”少数族裔文学写作的基本特质。一般而言,它不是体现为对特定族裔历史文化的重述,就是表现为独具特色的族裔景观的再造,而在许多情况下,这两者又构成了相互不可分割的整体。文章尝试借鉴“文化地理学”“身体现象学”之认识论方法,对当代少数民族文学文本形态的特质及其变构进行思考。
The return of the root of this national culture is the basic trait of minority literary writing in the “new period”. In general, it does not reflect the reinterpretation of a specific ethnic history and culture, but rather the rebuilding of a distinctive ethnic landscape, which in many cases constitutes an integral and integral part of each other. The article attempts to draw lessons from the epistemological method of “cultural geography” and “body phenomenology” to think about the traits and the changes of contemporary Chinese minority literary forms.