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《聊斋志异·细侯》篇中的母亲“杀子”情节骇人听闻,然而在中国古代小说中却并非史无先例。虞通之的《妒记》,薛用弱《集异记》中的《崔韬》《贾人妻》,洪迈《夷坚志》中的《淮阴节妇》《蔡郝妻妾》等皆首创于前。女性“杀子”情节除了典型的“杀子惩夫”外,大致可分为以下几类:(一)兽性杀子;(二)报复杀子;(三)威胁杀子;(四)复仇杀子。“杀子”女性遁逸、自杀、团圆的结局反映出中国传统文化中的忠孝节义观以及作家的自觉创作追求对此情节发展的影响作用。
The story of “mother killing” in Strange Tales of the Strange Tales is appalling, yet it is not unprecedented in ancient Chinese novels. Yu Tongzhi’s “jealousy”, Xue Weijian “Cui Tao”, “Jia Renqi” in “Ji Yu Ji”, “Huaiyin Women”, “Cai Hao Wife and Concubine” in Hong Mai’s “Yi Jianzhi” before. In addition to the typical case of “killing a child”, the plot of “killing a child” of a woman can be broadly divided into the following categories: (1) animalicide; (2) revenge; (3) threat of killing; (D) revenge to kill children. “Suzi ” Female escape, suicide, happy ending reflects the concept of loyalty and filial piety in traditional Chinese culture and the writer’s pursuit of creative pursuit of the plot development.