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以发明古老的印刷术而自豪的中国,有一部堪称悠久的出版史。然而对于小人书而言,可能太“小儿科”吧,无法与许多古籍相比,在过去很长时间里几乎是不足为藏,不足为史。我国有关印刷、古籍、出版史和美术史的著作过去一般都不谈小人书,各级图书馆、博物馆也不藏小人书。就这样到现在,小人书无史也是很自然的。不过,这种情况正在改变,小人书的收藏热必然会带动小人书发展史的研究。另外由于历史视角的开放和多样化,也使我们看到我国的小人书在世界出版史上的独特性:小人书发展的这
China, proud of its ancient typography, has a long history of publishing. However, for the book of genius, it may be too “Pediatrics”, which can not be compared with many ancient books for a long time in the past. In the past, the books on printing, ancient books, publishing history and art history in China generally did not mention pet books, libraries at all levels and museums. So far, the book of no people is also very natural. However, this situation is changing, the collection of villain books will inevitably lead to the study of the history of the development of villains book. In addition, due to the historical perspective of opening up and diversification, we can also see the uniqueness of our country’s youth books in the history of the world’s publishing.