于兵的名字,我并不陌生,以前曾经接触过,一个朴实、实干又聪慧的形象。他作为油画、壁画渴望的求学者,执著的投入在画布上、壁饰中,那时我的直觉告诉我他与众不同。 时隔七、八年之久,于兵的名字又出现了,出现在社会商品经济的大潮中,出现在环境艺术的舞台上。他那般依然朴实、充满内涵的歌声,脱颖而出,犹如一个新歌星,让那么多的歌迷忘我、陶醉。作为同龄人、同行,我再一次与他相识。这一次相见时间短,与他交谈,拜读他的作品总计不过二个小时,他又匆忙的告辞,去洽谈本溪工程,去找寻他 I am no stranger to the name of the soldier. I used to have a simple, practical and intelligent image. As an aspiring scholar of oil paintings and murals, he devoted himself to the canvas and the wall decoration, and at that time my intuition told me he was different. After a lapse of seven or eight years, the name of the soldier emerged again, appeared in the tide of social commodity economy and appeared on the stage of environmental art. He is still simple, full of meaning of the song, come to the fore, like a new singer, so many fans forget, intoxicated. As a peer, peer, I met him again. This time we met each other for a short time, talked with him and read his works for a total of just two hours. He gave a hurried leave to negotiate Benxi project to find him