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在《红楼梦》所广泛涉及的各类文化元素中,园林石文化不仅在故事情节推动上有重要作用,同时也是对明清时期古典园林理法进行了范例式的呈现。曹雪芹对石文化的审美偏好展现了中国古代文人的赏石心理,通过分析《红楼梦》中赏石心理的产生踪迹和置石掇山理法,进一步明晰了置石掇山艺术所包涵的我国传统审美理念,为传统文化在当代的继承和发扬提供了素材依据,并能在一定程度上对《红楼梦》中石头的意象溯源寻根。
Among all kinds of cultural elements widely covered in A Dream of Red Mansions, the garden stone culture not only plays an important role in the promotion of the storyline, but also presents an example of classical garden management in Ming and Qing Dynasties. CAO Xue-qin’s aesthetic preference of stone culture shows the ancient Chinese literary people’s appreciation of the stone. By analyzing the traces of the stone appreciation in the “Dream of the Red Chamber” and placing the Stone Mountain Methodology, this paper further clarifies the traditional aesthetic conception in our country, It provides the material basis for the inheritance and development of traditional culture in the contemporary era and can, to a certain extent, find roots in the traceability of the stone in “A Dream of Red Mansions”.