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交响诗有着独特的艺术魅力,是一种单乐章的标题交响乐,不仅历史悠久,而且具有非常强的表现力和感染力,强调对诗意与哲理的表现,其形式不拘一格,根据奏鸣曲式自由发挥,按文学、故事、传说等构思成乐曲。在交响诗领域中《死亡与净化》所占的地位毋庸置疑,这是理查施特劳斯的杰出之作,对交响诗艺术发展做出了巨大贡献。《死亡与净化》形式特殊,不同于以往其他交响诗,运用了更多创新手法,不完全是故事性的,也不完全是图解式,甚至某种意义上来说它可以作为一首无标题音乐来听,以一种独特的思维方式,诠释生命灵魂。本文将针对理查施特劳斯《死亡与净化》的精神意蕴展开研究。
Symphonic poem has a unique artistic charm, is the title of a single movement symphony, not only has a long history, but also has a very strong expression and appeal, emphasizing the expression of poetic and philosophical forms of eclectic, based on the freedom of the sonata Play, according to literature, stories, legends and other ideas into music. There is no doubt about the position of “Death and Purification” in the field of symphonic poetry, which is an outstanding work by Richard Strauss and made a tremendous contribution to the development of symphonic poem art. “Death and Purification” has a special form. Different from other symphonic poems in the past, it uses more innovative techniques and is not entirely storytelling nor entirely graphic. It can even be used as a piece of untitled music in a sense To listen to a unique way of thinking, interpretation of the soul of life. This article will focus on Richard Strauss’s “Death and Purification,” the spirit of the study.