“光复后的台湾文学”,形成了现代派文学与乡土文学两大流派。两派分庭抗礼 ,争论不休。实际上 ,它们其中尽管存在着性质上的差别 ,但也隐含着一种内在的具有“整和”能力的“精神”趋同性。对此 ,学术界少有人发现。本文作者对此进行了探讨。认为对现实的关注 ,文化的策略性和交融性以及接受心理的制约 ,构成了其趋同性 ,并探究了其形成的原因 The “Taiwan Literature after Recovery” has formed two schools of modernist literature and local literature. Two factions rival, endless debate. In fact, although there are some qualitative differences among them, they also imply an inherent “spiritual” convergence with the capacity of “integration”. In this regard, few people found in academia. The author of this article explores. They think that their concern with reality, the tactics and blending of culture, and their psychological acceptance make up their similarities and explore the reasons for their formation